LL Cool J, A F.O.R.CE. at TD Garden!

Hip Hop’s F.O.R.C.E. on full display for 50th finalé.

ERS-Plus is turning up the volume on MCs across 50 years of Hip Hop. Want more Hip-Hop and R&B? Check out ERS-Plus on 88.9FM HD2 and online at WERSPlus.org.

L.L. Cool J performing at TD Garden during the F.O.R.C.E tour

L.L. Cool J at TD Garden, the F.O.R.C.E tour

by DJ Mo Wilks, Photos courtesy of Jim LaCreta
To say a good time was had by all would be an understatement. LL Cool J’s FORCE Tour stopped through the TD Garden on Sunday November 19th, celebrating 50 years of Hip Hop with royalty that included a Queen, the DJ of a Fresh Prince and surprise guest performers that straight up did the damn thing. For real, for real: the FORCE (Frequencies Of Real Creative Energy) Tour was a Hip Hop trip from the ABC’s of it, to the OPP’s and DMC’s of it.

Questlove at TD Garden

Questlove

One Hip Hop’s signature ingredients, the ‘boom bap’, is the boom of the bass and the bap of the drum. Both elements were more than adequately taken care of thanks to the Legendary Roots crew featuring The Magnificent Jazzy Jeff on the turntables under the musical direction of drummer Questlove. LL specifically selected the band for their versatility and because of lead vocalist rapper Black Thought, who LL dubbed at evenings end, “your rapper’s favorite rapper.” Black Thought provided backing rap vocals to keep the artists on task, on pace and on point. Never has there been a rapper more flexible to provide every rapper’s style, cadence and flow as Black Thought. He was flawless.

DJ Jazzy Jeff

DJ Jazzy Jeff

Master emcee Doug E. Fresh was the opening act. An emcee of his caliber commanded the TD Garden stage and could have done so on his own for the entire night. A historic moment occurred when he and storytelling great Slick Rick reunited to perform their classic, “The Show”. Rick would also rhyme to “Mona Lisa” with Jazzy Jeff on the turntables. Slick Rick was draped in his signature full chain along with backup dancers, The Slick-ettes. The human beatbox trainer, Doug E. Fresh announced this was not only Hip Hop’s biggest party, but the biggest Scorpio birthday party.

Doug E. Fresh and Slick Rick at TD Garden

Doug E. Fresh and Slick Rick

LL Cool J, possibly the best in-shape rapper in the game, took the stage for the first of his two performance sets. Seamlessly, Uncle L and The Roots were synced up to the mammoth background screen that projected music video memories for the crowd to reminisce to. His set included: “4,3,2,1,” “Around The Way Girl,” “Head Sprung,” “Jingling Baby,” “Nitro,” and “Going Back To Cali”. The sold out Garden audience was put on notice while the Bronx, New York may have been Hip Hop’s birthplace, Queens had a hand in the art as well. When he brought out DMC of Run DMC, they rapped together to “Here We Go”. Shortly after, DMC rocked out and rhymed to “It’s Tricky”.

LL Cool J and DMC of Run DMC

LL Cool J and DMC

DMC of Run DMC at TD Garden

DMC of Run DMC

 

 

 

 

 

 

There was a pause in between performers with The Roots Crew showing their creative musicianship. The Roots took the arena on a journey that covered icons Earth Wind and Fire, blended into a DMX tribute, then made a segue from Stevie Wonder’s vintage hit “Knocks Me Off My Feet” into WU-Tang’s ODB “Shimmy Shimmy”. The Flavor Unit was next to rock the mic.

Queen Latifah at TD Garden

Queen Latifah

Queen Latifah took the TD Garden stage to a standing ovation as is deserving of rap royalty. She began with her first hit 1989’s, “Wrath Of My Madness” giving a loving shout to the track’s producer, the late DJ Mark The 45 King. Latifah decked out in sparkling gear moved the crowd, through her catalog of jams including, “Just Another Day,” and “It’s Alright”. A true supportive sister, Latifah would bring to the stage another Native Tongues/Flavor Unit member: Monie Love. The duo recreated their hit collab, “Ladies First” and Latifah gave Monie the stage to show some love, having her perform “Monie In The Middle”.

Monie Love at TD Garden

Monie Love

Queen Latifah showed why she’s on par with any male rapper in terms of flow, celebrity and influence. She introduced her fellow New Jersey rapper Treach of Naughty By Nature to the roar of the crowd.

Queen Latifah and Treach of Naughty By Nature at TD Garden

Latifah and Treach

Treach didn’t waste a second, jumping right into the mix with his group’s hits,”Uptown Anthem,” “Craziest,” and “O.P.P.” The Queen and leader of the Flavor Unit called for a very appropriate change in the playlist, switching out her song, “Unity” for, Naughty By Nature’s, “Hip Hop Hooray”, as a salute to Hip Hop’s 50th Anniversary as well as the concluding evening of their successful national tour.

LL Cool J at TD Garden

LL Cool J

L.L. Cool J would take the stage again with DJ Z-Trip for his final set and tour bows. During this set he proved why the Ladies Love Cool James with a series of slow sensual grooves, and occasional shirt lift the ladies definitely approved of. His final set featured, “I Need Love,” and “Hey Love” featuring Boyz II Men. There were salutes to rappers who had passed away including Phife Dawg from A Tribe Called Quest and a nod to Notorious B.I.G. as well duets he did with Jennifer Lopez. The screams were non-stop. After giving the ladies some flavor, Cool J reminded dudes that just because he has a soft side, he’s still the Ripper rapper who is not to be trifled with.

Reviving his lyrics from the rap collaboration “I Shot Ya”, L.L. effortlessly dismissed and reminded people rappers like Kool Moe D and Ice-T didn’t last long when in the crosshairs of L.L.’s path. One of his concluding songs, “I Can’t Live Without My Radio”, took us back in time to one of his break out songs which made it to the soundtrack to the movie Krush Groove. He would smooth out the set again paying tribute to spreading love to the ladies with, “Who Do You Love” and the playful track “Hush”. In what could only be described as L.L.’s tribute to his own childhood rap heroes, he rocked the audience out to Brooklyn’s Whodini and their 1982 hit, “Freaks Come Out at Night”.

It was an amazing, generational transcending event from start to finish, full of families sharing smiles, Kangols, Adidas suits, colorful graffiti clothing, large earrings and memories. Everyone reminisced and rapped along to the soundtrack of their youth; a time of Hip Hop’s infancy and growth.

Quoting the Notorious B.I.G. from his hit “Juicy”, ‘Who ever thought that hip-hop would take it this far?’ Nay-sayers surely didn’t, but the voices of the artists and their supporters knew Hip Hop was and is going far. Cheers to the spirit of Hip Hop and the next 50 years.

Queen Latifah - 50 Years of Hip Hop

Leading Ladies Of Hip Hop: Queen Latifah

By Ash Jones, Staff Writer

BIOGRAPHY

When I think of Queen Latifah, I see the embodiment of female Hip Hop. She carries herself with fearless energy and takes on the mic as if it were her destiny to do so. Queen Latifah is deservedly on a pedestal that most female rappers look up to, and her legacy continues to carry on.

Given the name Dana Owens, Queen Latifah was born in Newark, New Jersey in 1970. At age eight, her cousin gave her the nickname Latifah meaning “delicate and sensitive” in Arabic. Though her name may be gentle, her words call for action. Queen Latifah has always proved herself as a powerhouse. When she started rapping in her late teens, her abilities shined through with full force.

Being a contralto, Latifah started as a singer in the Catholic Church. However, she soon moved away from performing sacred melodies with her choir. When Latifah was a junior in high school, she formed a female rap trio with a tight-knit group of friends. They called themselves Ladies Fresh, and her early beatboxing skills caught the attention of producers in the music industry.

Around the time she went to community college, Queen Latifah became an o.g. member of the Flavor Unit, an underground crew of Jersey MCs that made music with DJ King Gemini (aka The 45 King). He sent one of Latifah’s demos to an MTV host: Fab 5 Freddy. Then, Dante Ross, who worked closely with Fab 5 Freddy, signed Latifah and helped release her first single “Wrath of My Madness” in 1989.

That same year, Latifah released her debut album, All Hail the Queen; this full-length release would go on to sell over a million copies. It featured the hit single “Ladies First,” introducing London’s Monie Love with her frenetic spitting on the track. Thematically, the song revolved around the mistreatment of Black women in the music industry.

Latifah was always known for relaying topics of domestic abuse, racism, and sexism into her music. She wasn’t afraid to present subjects that weren’t commonly heard through a Black female perspective into mainstream consciousness.

At just nineteen years old, the course of Latifah’s life changed for the better. She took time off from school, saying she’d return if her music career didn’t work out—she hasn’t gone back to school since.

QUEEN LATIFAH’S BIG BREAK

Latifah released her sophomore effort, Nature Of A Sista, in 1991. This album showcased a different sound; solid Hip Hop lyrics flowed over elements of jazz, reggae, and more traditional rap production. Additionally, she effortlessly incorporated the emerging vibe of Hip House by blending in the uptempo dance-floor pulse of House music. The album’s featured singles included “Fly Girl,” “Latifah’s Had It Up To Here,” and “How Do I Love Thee.” Thematically diverse, Latifah covered sensuality in a way that wasn’t common for Hip Hop artists. She also showed more comfort and confidence in her singing abilities.

Already respectfully crowned, Latifah dropped Black Reign in 1993. Subsequently, the album achieved Gold status in the United States. Standout track “U.N.I.T.Y.” empowered women to not accept the disrespect of being called out of their names. Ultimately, Latifah won the Grammy Award for Best Rap Solo Performance for the hit song.

Due to her stage presence and award-show success, the NFL asked her to perform God Bless America at the 1998 Super Bowl. She became one of the first rap artists to perform in football’s biggest event showcase. The Queen was no longer only royalty in the Hip Hop community; she started making waves across the country, trying her hand at other mediums such as acting, jazz singing, and producing.

When Queen Latifah made her way to the big screen, she carried her vocal skills with her. Starting with smaller supporting roles in films like Jungle Fever (1991) and Juice (1992), the Queen’s acting commanded respect in the multi-awarded adaption of Chicago (2002). Playing the exuberant role of Matron Mama Morton, she sang with an alluring charisma that wooed audiences. People weren’t expecting Latifah to have such strong vocal chops. She demonstrated her talents once again in Hairspray (2007), performing an original song for the musical’s soundtrack.

In between starring in acclaimed filmsLatifah showed her versatility in music outside of Hip Hop. The 2004 release, The Dana Owens Album, spotlighted her takes on soul and jazz standards, earning Latifah a Grammy nomination along the way.

With her 2007 release Trav’lin’ Light, she let loose the richness of her lush voice. In the same year, she performed at the Hollywood Bowl alongside Stevie WonderErykah Badu, and Jill Scott. That year was a huge turning point for Queen Latifah, and she sealed it off by receiving a Grammy nomination for Best Traditional Pop Vocal Album.

A multi-talented actress, filmmaker, show host, singer, and rapper, Queen Latifah’s extensive list of accomplishments and accolades make her an astounding role model in Hip Hop. In January of 2006, she received her plaque on the Hollywood Walk of Fame, solidifying her well-deserved star status.

WHO WAS SHE INFLUENCED BY?

Becoming a rapper in the late ’80s, there’s no doubt that Queen Latifah adored the groups that wrote the blueprint for what we know as Hip Hop today. She took inspiration from groups such as Run-D.M.CPublic Enemy, and EPMD.

When she starred as Bessie Smith in HBO’s Bessie (2015), Latifah noted that the blues singer was a huge influence on her later work in the 2000s. Queen Latifah enjoys all genres, and it’s reflected in her work—reggae, jazz, and house music are all present in her discography.

HONORS AND AWARDS

  • Best Rap Album at Independent Music Awards for Nature of a Sista, 1991
  • Best Rap Solo Performance at The Grammy Awards for “U.N.I.T.Y,” 1995
  • Best Supporting Actress nomination at The Academy Awards for Chicago, 2002
  • Best Female Rap Solo Performance nomination  at The Grammy Awards for “Go Head,” 2004
  • Best Traditional Pop Vocal Album nomination at The Grammy Awards for Trav’lin’ Light, 2004
  • Best Jazz Vocal Album at The Grammy Awards for The Dana Owens Album, 2005
  • Best Actress in a Miniseries or Television Film nomination at The Golden Globes for Bessie, 2006
  • Best Actress in a Miniseries Television or Film at The Golden Globes for Life Support, 2008
  • BET Awards Icon Award, 2021

SPOTLIGHT TRACKS

  • “U.N.I.T.Y.”
  • “Ladies First”
  • “Just Another Day…”
  • “Latifah’s Had It Up to Here”
  • “Fly Girl”
  • “Dance for Me”
  • “Black Hand Side”

LASTING LEGACY 

Queen Latifah’s legacy is a queendom of artistry while staying true to her core self—a throwback to a bygone era. She sings, raps, and acts on the big and small screen, produces entertainment content, and hosts daytime television shows.

Several different demographics have seen her develop into a persona with different capacities and themes. Yet, somehow, she maintains her “just another girl around the way” identity—a person who’ll bring the disrespect if shown it and someone who’ll always have your back too.

For early fans, she will always be the Afro-centric Latifah, who declared “Ladies First.” Other people see her as the unifying no-nonsense force of “U.N.I.T.Y.” To some, she’ll always be part of their favorite TV memories as Khadijah James of Flavor Magazine (her role on Living Single) or memorable Cleo from the motion picture Set It Off (1996). Some fans may know her as a jazz singer. Lastly, a whole new audience knows Latifah as a stage and screen actor. Most recently, she is the main protagonist in the television series, The Equalizer.

Her connection and authenticity with people, specifically women, allow her the fluidity to play characters who are not originally written with a female actress in mind. Her audiences have confidence in her abilities and believe all things are possible for Latifah.

This chameleon-like variety of possibilities is her legacy. Whether she mapped out this life or not, things can start out as just another day, but when the nature of a sista is pure, we all wind up hailing the queen after it is all said and done.